Monday, March 27, 2006

Rocky Femia (3.26.06)



Any one who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light, which is true of the mind's eye, quite as much as of the bodily eye; and he who remembers this when he sees any one whose vision is perplexed and weak, will not be too ready to laugh; he will first ask whether that soul of man has come out of the brighter life, and is unable to see because unaccustomed to the dark, or having turned from darkness to the day is dazzled by excess of light. And he will count the one happy in his condition and state of being, and he will pity the other; or, if he have a mind to laugh at the soul which comes from below into the light, there will be more reason in this than in the laugh which greets him who returns from above out of the light into the den.

Plato, The Republic

Amanda Hare (3.26.06)



Amanda read from the collection of short stories, Winter Count by Barry Lopez. She read the stories "The Lover of Words" and "Buffalo".

Thank you! (3.26.06)


Thank you to everyone who came to the second installment of Reading Words! The evening was wonderfully entertaining. We look forward to seeing you at the next event on April 23rd at Savannah in Shinsaibashi (start time is 5pm!).

O Literacy! Bring your friends! Bring your books! Bring your friend's books!

Reading Words Coordinators

Saturday, March 11, 2006

Branko Manojlovic (2.26.06)







London Us in Please

London us in please
with your crumbled Bloomsbury chimneys and tepid radiators
so our blood can curdle up at the sight of Hampstead haze, jumpy
squirrels and new men pushing perambulators. London us in
will you through your expansion rational or otherwise, your rental vans,
flats, your churches where white folk kneel where negro
sisters clap 'Sweet Georgia', pews on fire on a tearful Sunday. It is
at this closing business hour, by the two-pound-for-a-pound tray
of Berwick street blueberries, by the way of alleyway and peep show
cross-legged tarts, that we need you, London, to show us in, gently,
while the rest of us play it safe from the upper decks, suburb-bound.
Don’t forget also us the non-invitees, volunteers, usher us all in through
your splendidly denuded lawns and gardens, into a Georgian mansion
where butlers, called Joseph or Swankin, arrange for the early spring
massacre of magnolia – yes, the good old magnolia
that has never tasted so toothsome.

Monday, March 06, 2006

Dan Marlin (2.26.06)

CLASSIFIED TESTIMONY OF A SOUTH TEXAS QUAIL


In February, 2006, the Vice-President of the U.S.
accidentally shot his hunting companion.

1.

In the mesquite grove
of my ancestors,
as I measured the grass ahead
in the ripening light,

I was the target,
but I was spared.

2.

After bending to pick up a souvenir
of his afternoon pleasure
-the blood and silver feathers of my sister-

he stood up, taking the shot
meant to break my flight.

Because there was fifty times
more of him than me
it not kill him,

and he rose again
from his hospital bed
to stand before a microphone,
the flesh above his white collar
a sour rainbow of bruises.

3.

Accidents happen, he said,
I don't want this to spoil
all the happy memories
of hunting South Texas quail.

And sorry for the trouble
caused my good friend
who deserved to relax
from his important work.

Sorry?
-but I am not.

The shot which
pocked his face
was a small price to pay,

for though I was the target
in the mesquite grove
of my ancestors,

I was spared.

THE NIGHT BEFORE

Ants ascend the green woven threads
of the bean vines
beneath a long moon,
this night of pollens
before you arrive.

Cricket pulse, racoon's eye
the poorest sleep on stone,
moving on before the dew dries.
A night of footsteps
before you arrive.

In the memory of my hands
your small breasts rise.
A hummingbird, I wait their blossoms,
this night of breezes
before you arrive.



IRAQ BODY COUNT

"We're not in the business
of counting civilian casualties"
- U.S. Military

None of your business
to know them:

breadwinners, orphans, matriarchs, invalids

whose eyes form a single gaze
into the mirror of the living.

They are estimates, imploded fractions
of the Tree of Life,

whose numbers are disputed,
identification incomplete,

confirmed by birthmarks, scars, schoolbooks

when their faces can no longer be read.

As they pray and mourn,
sip tea and suckle,
cinch the donkey's load

they become the suicide's baggage
to Paradise, atoms of the fireball
dried in fissures of pavement.

Trembling behind windshields,
they die before they can explain
to the Checkpoint's jumpy trigger finger.

They die for the lie that beguiles us,
as the power at hand
slays the touch of the fingers.

With arms raised in a wedding dance,
cut down beneath the shrieking wing,
labeled insurgent after the fact.

Carried out of the blue-eyed prison
bearing the scorch-marks of shame,
cast into a desert of vengeance.

Found face-down
in a line beneath the eucalyptus,
wrists bound,
lips enclosing the vowels of pleading.

Sweep them into the evening wind-
they will return to the city
one by one,
the uncounted, substantial number
walking beside those who grieve them,
their loss braiding
the wild hair of years.

Saturday, March 04, 2006

Patrick Widdess (2.26.06)




Hide and Seek

Kiss something orange.
Triple your eye shadow.
Turn right at the second handshake
and wait for the girl with the leopard skin camera
to guide you down the harizontal staircase.
Play hopscotch with an armadillo until you lose.
Undress with your left hand,
bathe in swan's milk,
then sneeze in F sharp.

You're invisible now
until somebody finds you.


http://patrick_widdess.podomatic.com/

http://www.ukauthors.com/userinfo-a_harmless_poet.html

Thursday, March 02, 2006

Thank You! (2.26.06)

Reading Words would like to thank everyone who read and attended the event on February 26, 2006 and made it such a huge success! The subjects and styles of readings were varied and it made for a wonderfully interesting evening.

The Book Swap was also a smashing success! We hope you enjoy what you took home and please bring more books to the next event!

Thank you all!

Amanda Hare (2.26.06)





'The Cremation of Sam McGee' by Robert Service

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

Now Sam McGee was from Tennessee,
Where the cotton blooms and blows.
Why he left his home in the South to roam
'Round the Pole, God only knows.
He was always cold, but the land of gold
Seemed to hold him like a spell;
Though he'd often say in his homely way
That he'd "sooner live in hell".

On a Christmas Day we were mushing our way
Over the Dawson trail.
Talk of your cold! through the parka's fold
It stabbed like a driven nail.
If our eyes we'd close, then the lashes froze
Till sometimes we couldn't see;
It wasn't much fun, but the only one
To whimper was Sam McGee.

And that very night, as we lay packed tight
In our robes beneath the snow,
And the dogs were fed, and the stars o'erhead
Were dancing heel and toe,
He turned to me, and "Cap," says he,
"I'll cash in this trip, I guess;
And if I do, I'm asking that you
Won't refuse my last request."

Well, he seemed so low that I couldn't say no;
Then he says with a sort of moan:
"It's the cursed cold, and it's got right hold
Till I'm chilled clean through to the bone.
Yet 'tain't being dead -- it's my awful dread
Of the icy grave that pains;
So I want you to swear that, foul or fair,
You'll cremate my last remains."

A pal's last need is a thing to heed,
So I swore I would not fail;
And we started on at the streak of dawn;
But God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day
Of his home in Tennessee;
And before nightfall a corpse was all
That was left of Sam McGee.

There wasn't a breath in that land of death,
And I hurried, horror-driven,
With a corpse half hid that I couldn't get rid,
Because of a promise given;
It was lashed to the sleigh, and it seemed to say:
"You may tax your brawn and brains,
But you promised true, and it's up to you
To cremate those last remains."

Now a promise made is a debt unpaid,
And the trail has its own stern code.
In the days to come, though my lips were dumb,
In my heart how I cursed that load.
In the long, long night, by the lone firelight,
While the huskies, round in a ring,
Howled out their woes to the homeless snows --
O God! how I loathed the thing.

And every day that quiet clay
Seemed to heavy and heavier grow;
And on I went, though the dogs were spent
And the grub was getting low;
The trail was bad, and I felt half mad,
But I swore I would not give in;
And I'd often sing to the hateful thing,
And it hearkened with a grin.

Till I came to the marge of Lake Lebarge,
And a derelict there lay;
It was jammed in the ice, but I saw in a trice
It was called the "Alice May".
And I looked at it, and I thought a bit,
And I looked at my frozen chum;
Then "Here," said I, with a sudden cry,
"Is my cre-ma-tor-eum."

Some planks I tore from the cabin floor,
And I lit the boiler fire;
Some coal I found that was lying around,
And I heaped the fuel higher;
The flames just soared, and the furnace roared --
Such a blaze you seldom see;
And I burrowed a hole in the glowing coal,
And I stuffed in Sam McGee.

Then I made a hike, for I didn't like
To hear him sizzle so;
And the heavens scowled, and the huskies howled,
And the wind began to blow.
It was icy cold, but the hot sweat rolled
Down my cheeks, and I don't know why;
And the greasy smoke in an inky cloak
Went streaking down the sky.

I do not know how long in the snow
I wrestled with grisly fear;
But the stars came out and they danced about
Ere again I ventured near;
I was sick with dread, but I bravely said:
"I'll just take a peep inside.
I guess he's cooked, and it's time I looked"; . . .
Then the door I opened wide.

And there sat Sam, looking cool and calm,
In the heart of the furnace roar;
And he wore a smile you could see a mile,
And he said: "Please close that door.
It's fine in here, but I greatly fear
You'll let in the cold and storm --
Since I left Plumtree, down in Tennessee,
It's the first time I've been warm."

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

Charlie Canning (2.26.06)





Inoue Yasushi’s English Grammar Lesson

While there are those who profess a love for English grammar, most
of us would rather do without it. First of all, there are the
unfamiliar terms like gerunds, participles, and compound complex
sentences. As if that weren’t enough to confound one, there are
countless rules and even more exceptions to those rules. In fact,
sometimes the sheer number of exceptions to a rule makes me wonder at
the utility of having a rule in the first place.

Nevertheless, grammar has to be taught and somebody has to teach
it. Unlike some of my colleagues whose eyes light up when they are
discussing one of the finer points of grammar, I do not enjoy teaching
grammar. Grammar is only palatable for me – and for my students, I
imagine – in context. So when I have to explain something that comes up
in one of my classes, I usually try to use an example from a writing
class or something from literature.

Recently, I have been reading the work of Inoue Yasushi
(1907-1991), a writer of the Showa Period who wrote beautifully crafted
short stories and novellas. It was in one of his early works called
“The Hunting Gun” (Ryoju) that I came across one of the most
imaginative grammar lessons that I have ever read. The excerpt that
follows, on the difference between the active and the passive voice, is
from the “Saiko’s Letter” section of “The Hunting Gun:”


To love, to be loved – our actions are pathetic. When I was in the second – or third-year class of a girls’ school, during an examination on English grammar, we were tested on the active and passive voice of verbs.

To strike, to be struck; to see, to be seen. Among many such examples was a brilliant pair: to love, to be loved. As each girl, eagerly looking at the questions and thinking about them, licked the lead of her pencil, someone mischievously started passing around a piece of paper, and the girl behind me gave it to me. When I looked at it, I found a pair of questions: ‘Do you want to love? Do you want to be loved?’ And under the words ‘want to be loved,’ many circles had been written in ink or blue or red pencil, while under ‘want to love’ there wasn’t a mark.

I wasn’t in the least an exception, and I added one more small circle under ‘want to be loved.’ Even at the age of sixteen or seventeen, when we don’t know fully what it is to love or be loved, we women seem to know by instinct already the happiness of being loved.

But during that examination the girl sitting beside me got the scrap of paper, glanced at it, and without hesitation made a big circle with a bold stroke of her pencil in the place where not a mark had been left. She wanted to love. Even now I can remember vividly that at the moment I felt confused, as if someone had suddenly attacked me from behind, though somehow, at the same time, I felt a slight revulsion because of her uncompromising attitude. She was one of the duller students in our class, an inconspicuous and somewhat gloomy girl. I don’t know what she has grown up to be – that girl whose hair had a brownish cast and who was always alone. But now, while I am writing this letter, more than twenty years since that time, the face of that lonely girl somehow floats before me as if it were only a short while ago.

When at the end of their lives they lie quietly and turn their faces to the wall of death – the woman who can say she has tasted fully the happiness of being loved and the woman who can say that even though she was unhappy she has loved – to which one would God give the true, quiet
rest?

Yet, is there anyone on earth who can say before God that she has loved?

Yes, there must be. That thin-haired girl may have grown up to be one of those few chosen women. Her hair and clothing may be in disorder, and her body may be scarred, but she can say with pride that she has loved.
(70-71)


References

Inoue Yasushi. The Hunting Gun. Trans. Sadamichi Yoko and Sanford Goldstein. Tokyo: Tuttle, 1961.

Wednesday, March 01, 2006

mjsalovaara (2.26.06)





Give the Police State A Chance
(adapted from Lennon's song of almost the same title)

Ev'rybody's talking about
Terr'ism, Bushism, Pushism, Wussism, Bathism, Facism
You-ism, ME-ism
Isn't it the most
All we are saying is give the police state a chance
All we are saying is give the police state a chance


. . .

What is this vassal state of man
that allows him to be led by another
into darkness and call it daylight?

What is this vessel we call life,
so casually tossed over to the side
of despair and insist that it is hope?

Don't call me brother
and then ask me to follow
your dim imaginings of reason
wreaking from blood
spilled by ambition.

And don't oblige me
to couple to the plan
designed to feather your bed
and leave mine empty
and in grief.

No, I won't listen
to your dead and hollow march
while fools dance in the streets
proclaiming the virtues of ruin
believing paradise awaits
around the corner.

For I have been to your Feasts
and the meat was stone,
the wine vinegar,
and when I excused myself
of your hospitality
I was branded a criminal
and thrown back into the paradise
of fools dancing in the streets
exalting the justice of chains;
proclaiming the thousand lashes of poverty,
"the common good;"
claiming to have seen the light
while climbing over each other
for a crumb of promise
tossed from your table.

You are not my Prince
and I am not your Pauper
who believes in the blandishments
falling from your lips
thinking they are the diamonds
which can save me
from the treachery of opportunity
you too easily call democracy.

(in dedication to the Mulroney Conservatives – any resemblances to other conservatives perhaps isn't so coincidental given my aversion to their ideological bent)


. . .

Haiku/esque #1

This midnight air
is blue black
with a bit of hazy moon.


This midnight air
doesn't hang well
in my living room.


This midnight air
is like the woman
I left behind.


This midnight air
is a pool
and my mind a stone.


This midnight air
is the virgin
I once was.


This midnight air
is a lover
who tells no lies.


This midnight air
is not afraid
of the sunrise.


This midnight air
is
without darkness.

(Written in Mie-ken while looking east over the Pacific in the spring of 1997)


. . .

Are you willing to join the revolution of One?
Or are you just gonna sit there and cry?
You say you want freedom
but you put yourself in chains
then complain of the misery.

I went down to the river
where people were dancing
with the man in the long grey beard
he said, "Bring down the hammers;
free our sisters, free our brothers
there be glory in all the land."
But when I said that I was hungry
I was told that I was lazy
and was given a shovel instead.
Now I work all day for my daily bread
but still I haven't been fed.

Are you willing to join the revolution of One?
Or are you just gonna sit there and cry?
You say you want freedom
but you put yourself in chains
then complain of the misery.

Well, I went downtown
saw the wisdom of the right
asking for some change
mothers all deranged
babies disengaged
fathers with no wage
children in a rage
hamsters in a cage
creatures
roaming in the dark
hoping for a spark
to light a joint without regret
maybe they'll forget
money is hell bent
not enough to pay the rent
our future is all spent
on something we all believed in
career, money or something
blood and guts or nothing
now there's nothing
or something like ___________
or something.

Are you willing to join the revolution of One?
Or are you just gonna sit there and cry?
You say you want freedom
but you put yourself in chains
then complain of the misery.

(in honour of ideologues on the Left and Right)


. . .

William Blake's Take on War


O for a voice like thunder, and a tongue
To drown the throat of war! -

When the senses Are shaken,
and the soul is driven to madness,
Who can stand?

When the souls of the oppressed
Fight in the troubled air that rages,
Who can stand?

When the whirlwind of fury comes from the
Throne of God,
When the frowns of his countenance
Drive the nations together,
Who can stand?

When Sin claps his broad wings over the battle,
And sails rejoicing in the flood of Death;
When souls are torn to everlasting fire,
And fiends of Hell rejoice upon the slain,
O who can stand?
O who hath caused this?
O who can answer at the throne of God?

The Kings and Nobles of the Land have done it!
Hear it not, Heaven, thy Ministers have done it!


by WIlliam Blake


. . .

Haiku-esque # 2 (abridged)

Sweet emotion
Sweet potato
Yaki-mo